C'était vers 1907.
Le petit et rond Jules, étranger à Paris, avait demandé au grand et mince Jim, qu'il connaissait à peine, de le faire entrer au bal des Quat-z'Arts, et Jim lui avait procuré une carte et l'avait emmené chez le costumier. C'est pendant que Jules fouillait doucement parmi les étoffes et choisissait un simple costume d'esclave que naquit l'amitié de Jim pour Jules. Elle crût pendant le bal, où Jules fut tranquille, avec des yeux comme des boules, pleins d'humour et de tendresse.
Raconte jour après jour les rencontres amoureuses, la vie mondaine et artistique, l'effervescence de l'entre-deux-guerres à Paris et à Berlin, l'histoire vraie de Jules et Jim.
Based on a real-life love triangle and later made into François Truffaut's famous New Wave film, Henri-Pierre Roché's Jules et Jim is a paean to youth set in free-spirited Paris before the First World War.
Jules and Jim live a carefree, bohemian existence: they write in cafés, travel when the mood takes them, and share the women they love without jealousy. Like Lucie, flawless, an abbess, and Odile, impulsive, mischievous, almost feral. But it is Kate - with a smile the two friends have determined to follow always, but capricious enough to jump in the Seine from spite - who steals their hearts most thoroughly. Henri-Pierre Roché was in his mid-seventies when he wrote this, his autobiographical debut novel. The inspiration for the legendary film directed by François Truffaut, it captures perfectly with excitement and great humour the tenderness of three people in love with each other and with life.
This Penguin Modern Classics edition is translated by Patrick Evans with an introduction by Agnès C. Poirier and an afterword by François Truffaut.
Henri-Pierre Roché (1879-1959) was born in Paris. After studying art at the Academie Julian, he became a journalist and art dealer, mixing with the avant-garde artistic set; his friends and acquaintances included the artists Michel Duchamp and Francis Picabia, and in 1905 he introduced Gertrude Stein to Pablo Picasso. In 1916, following his discharge from the French army, Roché went to New York and set up a Dadaist magazine, The Blind Man, with Duchamp and the artist Beatrice Wood. It wasn't until his seventies that he wrote the semi-autobiographical Jules et Jim (1953); his second novel, Les deux anglaises et le continent, was published in 1956.
If you enjoyed Jules et Jim, you might like Raymond Radiguet's The Devil in the Flesh, also available in Penguin Modern Classics.
'A perfect hymn to love and perhaps to life' François Truffaut, director of Jules et Jim and The 400 Blows